The Provencal courtly love (the fin'amor)
http://www.uciimtorino.it/europa/c2_1_amore_cortese.htm
A. Benagiano, courtly love in the story of Paolo and Francesca
Arnaut Daniel
Provencal poets born in the Dordogne (France), in the bishopric of Périgord, and flourished between 1180 and 1210. He was among the more followers of that kind of hermetic poetry and technically difficult trobar clus Marcabruno it had in its initiator. Considered by Dante, in De vulgari eloquentia (II ii 9), as troubadour more important after Giraut de Bornelh and certainly the greatest composer in the langue d 'oc of love poems, Arnaut Daniel is celebrated in Purg. XXVI 115-26 as the prince not only of the poets (including himself Giraut), but also of vernacular prose. The terms which, by the mouth of Guido Guinizzelli , is expressed that position ("Verses of love and tales of romance / surpassed all ...", Purg. XXVI 118-19) in the past have led some scholars to believe may have composed Arnaut some novels, then went lost (hypothesis has now been completely discarded.) Metrical-stylistic virtuosity of poetry arnaldiana Dante makes an explicit homage in De vulgari eloquentia II ix-x, and claims to have derived the compositional technique of his sestina the short day and the great circle of shadow from that type of room, used by almost all Arnaut His songs, undivided and free of rhymes in it ( cobla dissolute ), in which every line rhymes with its consideration of the next verse ( coblas unissonans ).
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| | With the poetry of the troubadours can give birth to the modern opera. |
troubadour The name derives from the Provençal Troubadours , due to the medieval Latin tropatore ie "inventor of tropes" : the tropus is in fact a kind of composition in verse that during the fifteenth century was particularly widespread in chant and in particular so the Abbey of St. Martial of Limoges.
Its origin is traced back to the courts in a feudal civilization "courteous" in which the troubadour operates from professionals, providing both poetic aspect that is more closely Music.
The lyrics were, therefore, were not intended to read but the singing and acting by the same troubadour or minstrel (Latin joculator ) , often short and proud people: You can also think of a professional division of labor in which the troubadour was entitled to a job as a composer while the jester was then entrusted with the execution, although this distinction is not always so clear. 
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